The sculptures is one of fine arts. Unlike paint, which creates a plan -a fictional space of two dimensions-, sculptures does a flat or three-dimensional relief exempt, using real space. The sculptor acts on different materials transformed by carving and modeling processes, which are traditional methods (aluminum wall sculpture).
The door of Cathedral of Chartres (1145) is one of first examples of Gothic sculptures: featuring the fabulous animals that shape the gargoyles. In Germany, both outside and inside the Bamberg Cathedral (XIII century) there are meaningful sculptures; A good example is the Bamberg Horseman. One innovation are the sculptures on dramatic themes, scenes from the Passion of Christ and the Pieta among others. At the end of Gothic period in magnificent altar made by artists such as Tilman Riemenschneider or Veit Stoss. The kingdom of Castile worked there sculptors Gil de Alejo of Siloam Vahia.
With regard toKingdom of Aragon, Aloi of Montbrai realized Tailors Altar of Cathedral of Tarragona and Pere Moragues carved tomb Fernandez de Luna, the piece is la Seo Cathedral. Also noteworthy is the relief of St. George Palace of Generalitat of Catalonia executed by Peter John. Claus Sluter, Flemish artist, made the doorway of Champmol (Dijon) and a pedestal shaft known as the Cloister the Well of Moses. In Italy, Siena and Pisa sculptors Nicola Pisano and his son Giovanni Pisano left works of great quality in which it announced the transition to a new type of sculptures.
Etruscan sculptures (BC-IX century BC) derived from Greek art, but also works were realized with characteristics. The status linked to funeral contexts is far more Etruscan production abundant; the material of choice, as a rule, was the terracotta, as infamous Sarcophagus ofSpouses. Later, Roman sculptures was influenced by the Etruscan and Greek and Roman artists reached make numerous copies of Greek works.
Mathematics became his main aid, applying to all arts certain principles and laws, such as the prospect. Great patron emerged as the Medici popes of Rome and Florence, plus cardinals, princes and unions. At this time the sculptures remained virtually unconnected architecture and showed expressions full of characters drama; This is seen in sculptures of Michelangelo, for example, David. Many of them travel to other countries.
The process of making the work first in clay and then emptied the bronze was known to ancient Greek and Roman civilizations, and a system that is currently in XXI century, is still used. From century BC, in last period of iron Age Celts developed the La Tene culture, spreading it throughout Europe; represented an evolution of art of Hallstatt culture.
The decoration of all their belongings, swords, shields, tiaras and brooches you can understand the reasons for animals, plants and human figures. From the first century BC minted coins following the Hellenic models, as well as figurative works Bouray of God, made in embossed copper plate. In Mesopotamia, due to scarcity of stone, the sculptures was made primarily with clay; excavations at Ur (4000 BC) have been numerous small statues of this material. The Sumerians developed and spread to other civilizations use of brick, which then sculpted and enameled relief. Some good examples are representative that adorn palaces and burial surfaces Persian palace of Persepolis and the Frieze of Archers, glazed brick work that is in Royal Palace of Susa (404-359 BC).
During this period, production religious sculptures in Spain is amazing sculptures for interiors of churches, facades, and private devotions for Easter; emerged two schools: the Spanish and Andalusian. Among the sculptors can stand Gregorio Fernandez, Juan Martinez Montanes, Francisco Salzillo, Pedro de Mena and Alonso Cano. Inmid-eighteenth century, Winckelmann guidelines of "good taste in food sources and direct the example ofworks ofGreeks" made many artists devoted to copy instead of imitating; Neoclassicism came.
The door of Cathedral of Chartres (1145) is one of first examples of Gothic sculptures: featuring the fabulous animals that shape the gargoyles. In Germany, both outside and inside the Bamberg Cathedral (XIII century) there are meaningful sculptures; A good example is the Bamberg Horseman. One innovation are the sculptures on dramatic themes, scenes from the Passion of Christ and the Pieta among others. At the end of Gothic period in magnificent altar made by artists such as Tilman Riemenschneider or Veit Stoss. The kingdom of Castile worked there sculptors Gil de Alejo of Siloam Vahia.
With regard toKingdom of Aragon, Aloi of Montbrai realized Tailors Altar of Cathedral of Tarragona and Pere Moragues carved tomb Fernandez de Luna, the piece is la Seo Cathedral. Also noteworthy is the relief of St. George Palace of Generalitat of Catalonia executed by Peter John. Claus Sluter, Flemish artist, made the doorway of Champmol (Dijon) and a pedestal shaft known as the Cloister the Well of Moses. In Italy, Siena and Pisa sculptors Nicola Pisano and his son Giovanni Pisano left works of great quality in which it announced the transition to a new type of sculptures.
Etruscan sculptures (BC-IX century BC) derived from Greek art, but also works were realized with characteristics. The status linked to funeral contexts is far more Etruscan production abundant; the material of choice, as a rule, was the terracotta, as infamous Sarcophagus ofSpouses. Later, Roman sculptures was influenced by the Etruscan and Greek and Roman artists reached make numerous copies of Greek works.
Mathematics became his main aid, applying to all arts certain principles and laws, such as the prospect. Great patron emerged as the Medici popes of Rome and Florence, plus cardinals, princes and unions. At this time the sculptures remained virtually unconnected architecture and showed expressions full of characters drama; This is seen in sculptures of Michelangelo, for example, David. Many of them travel to other countries.
The process of making the work first in clay and then emptied the bronze was known to ancient Greek and Roman civilizations, and a system that is currently in XXI century, is still used. From century BC, in last period of iron Age Celts developed the La Tene culture, spreading it throughout Europe; represented an evolution of art of Hallstatt culture.
The decoration of all their belongings, swords, shields, tiaras and brooches you can understand the reasons for animals, plants and human figures. From the first century BC minted coins following the Hellenic models, as well as figurative works Bouray of God, made in embossed copper plate. In Mesopotamia, due to scarcity of stone, the sculptures was made primarily with clay; excavations at Ur (4000 BC) have been numerous small statues of this material. The Sumerians developed and spread to other civilizations use of brick, which then sculpted and enameled relief. Some good examples are representative that adorn palaces and burial surfaces Persian palace of Persepolis and the Frieze of Archers, glazed brick work that is in Royal Palace of Susa (404-359 BC).
During this period, production religious sculptures in Spain is amazing sculptures for interiors of churches, facades, and private devotions for Easter; emerged two schools: the Spanish and Andalusian. Among the sculptors can stand Gregorio Fernandez, Juan Martinez Montanes, Francisco Salzillo, Pedro de Mena and Alonso Cano. Inmid-eighteenth century, Winckelmann guidelines of "good taste in food sources and direct the example ofworks ofGreeks" made many artists devoted to copy instead of imitating; Neoclassicism came.
No comments:
Post a Comment